otázka  |
odpověď |
KABUKI Features song and dance Tells about conflict between human passions and moral/religious duties E.g., Tōkaidō Yotsuya Kaidan začněte se učit
|
 |
creates contemplative, serene mood religious themes E.g., Matsukaze
|
|
|
|
začněte se učit
|
|
NARRATIVE: an account of actual or imagined events told by a narrator. A narrative is made up of events, the story, and the arrangement of those events, the plot.
|
|
|
TYPES OF NARRATIVE VIEWPOINT 1. First person narration (e.g., J.D. Salinger) 1. Protagonist 2. Secondary character (e.g., A.C. Doyle) 2. Second person narration (e.g., J. McIerney) 3. Third person narration 1. Omniscient narrator (e.g., Arthur C. Clarke) 2. Limited narrator (e.g., L. Carrol) začněte se učit
|
|
4. Intrusive narrator (e.g., Ch. Dickens) 5. Self-effacing narrator (e.g., G. Flaubert) 6. Multiple narrator (e.g., H. James) 7. Reliable narrator 8. Unreliable narrator (e.g., E.A. Poe)
|
|
|
|
začněte se učit
|
|
|
|
|
Stream of consciousness: the 'flow' of impressions, memories, and sense-impressions through the mind by abandoning accepted forms of syntax, punctuation, and logical connection, e.g., Ulysses, James Joyce začněte se učit
|
|
Story within a story (Chinese-box construction), e.g., The Canterbury Tales, Geoffrey Chaucer
|
|
|
Flashback: a change in the temporal sequence of the story so that it moves back to show events that took place earlier than those already shown, e.g., Harry Potter series, J.K. Rowling začněte se učit
|
|
Flashforward: an interjected scene that temporarily jumps the narrative forward in time; e.g., In Search of Lost Time, Marcel Proust
|
|
|
|
začněte se učit
|
|
Epistolary novel: composed of a set of letters, e.g., The Sufferings of Young Werther, Johann Wolfgang Goethe
|
|
|
Pastiche: a text made up of material from other texts, e.g., Rosencrantz and Guildenstern are Dead, Tom Stoppard začněte se učit
|
|
Dream vision: the narrator retells his or her dream, e.g., Alice ‘s Adventures in Wonderland, Lewis Carroll
|
|
|
1. Character vs Supernatural/God, e.g., Paradise Lost, John Milton 2. Character vs Destiny, e.g., The Children of Hurin, J.R.R. Tolkien 3. Character vs Nature, e.g., Robinson Crusoe, Daniel Defoe začněte se učit
|
|
4. Character vs Environment/Society, e.g., Uncle Tom’s Cabin, Harriet Beecher Stowe 5. Character vs Machine, e.g., I, Robot, Isaac Asimov 6. Character vs Character, e.g., Peter Pan and Wendy J.M. Barrie 7. Character vs Self, e.g., The Fall, Albert Camus
|
|
|
Dynamic: changes over time, usually as a result of resolving a central conflict or facing a major crisis. začněte se učit
|
|
Static: does not change over time; his or her personality does not transform or evolve.
|
|
|
Round: has a complex personality; he or she is often portrayed as a conflicted and contradictory person. začněte se učit
|
|
Flat: one kind of personality trait or characteristic.
|
|
|
Hero: displays heroic traits (courage, strength, etc.), e.g., king Arthur Anti-hero: does not possess typical heroic traits, e.g., Yossarian in Catch 22 začněte se učit
|
|
Father figure: displays authority over the protagonist, e.g., Gandalf
|
|
|
Sidekick: a friend/helper of the hero, of significantly smaller part in the story, e.g., Robin in Batman Femme fatale: temptress; e.g., Lady Macbeth začněte se učit
|
|
Villain: the chief evil character; e.g., the Wolf in Red Riding Hood
|
|
|
Trickster: a rule-breaker, usually comical; e.g., Puss-in-the-Boots začněte se učit
|
|
Underdog: inferior to the rest of the characters, unlikely to succeed; e.g., the Ugly Duckling
|
|
|
GLOSSARY OF COMMON LITERARY DEVICES začněte se učit
|
|
Cliffhanger: a suspenseful or dramatic moment, finishing a section of the story
|
|
|
Fisher King story: the land of the Fisher King not only reflects the kind of rule they impose, but their moral alignment, state of health, and in some cases even their mood. ("The Land and the King are One.") začněte se učit
|
|
Foreshadowing: suggesting, hinting, indicating, or showing what will occur later in a narrative
|
|
|
Red herring: diverting the attention of the reader from the significant clues in the text, esp. in crime fiction začněte se učit
|
|
Epiphany: a revelation of such power and insight that it alters the entire world-view of the character
|
|
|
Motif: a conspicuous recurring element, such as a type of incident, a device, a reference, or verbal formula začněte se učit
|
|
Mood: the predominating atmosphere or tone of a literary work
|
|
|
Theme: central idea or statement that unifies and controls an entire literary work Tone: the means of creating a relationship or conveying an attitude or mood začněte se učit
|
|
Setting: the time and place of action
|
|
|
